Book Review: Knight Fall by Joe Ducie

In the third instalment of Joe Ducie’s Reminiscent Exile series, readers find a high current of fast-paced action, clever dialogue and fantastic world (multiverse) building. Knight Fall stands on its own as an entertaining, but all too quick, read and a fine continuation of the overall series.

The narrative uses various in-story tropes to weave together the past and present, from visions and flashbacks to magical means. The significance of the past, and history as a whole, works as a prominent motif in the story, massively influencing the plot. This novel is full of surprises and beautifully constructed scenes. The trick, and challenge, is to read it slowly, to pace yourself, because the urge to finish it in one setting is all-too-compelling.

Declan Hale, our brooding protagonist, returns in all his one-eyed splendour. His actions throughout the novel demonstrate how utterly formidable he is, why people are right to fear him, and the devastating consequences that hinge on his every action. Despite displaying more raw, brute force in the scenes in Voraskel than in the previous two novels, most of the confrontations work like puzzle pieces, solved by a clever dose of wit and ingenuity rather than hammering away with Will. I think this is the best approach that Ducie could have taken with his fight scenes. An epic battle between two colossal forces, while memorable and fantastic, can only be done so many times; and should probably only be reserved for the most significant moments.

Emily Grace, the immortal queen, returns in this novel, not so much a villain but as a companion to our protagonist. Emily is still ruthless and cold and calculating, but there’s a certain charm to her every action, of quality of character that can only described as “graceful.” I quite liked Emily Grace as a villain, or at least as an antihero. It was amusing to find that she had such chemistry with Declan despite the fact that she was the queen of the faction that the hero fought and killed and shed blood to defeat. Her scenes with Declan in the first two books showed promise of being a great recurring villain with the kind of cunning, manipulative force that trumps brute strength.

In a previous review, I said that the Reminiscence Exile is, at its heart, a romance story. With Knight Fall, that assessment remains unchanged. Declan will always carry the women he loved with him, as intangible as the merry band of literary ghosts in his bookstore. His reminiscences, his longing, his nostalgia are all a significant aspect of his makeup, as real as the idea of love lost, of pain endured, sacrifices rendered, and guilt everlasting.

Speaking of the Everlasting, we find out more about them than ever have before. We learn a childhood song sung in fear of them, we learn how many there are and what their qualities entail. Ducie creates these cosmic entities, great and powerful gods and goddesses, and he pits our single, lonely, drunken hero against them. At least it promises to be an amusing ride.
There are a couple things that I didn’t like about Knight Fall. One, there was not enough Annie Brie. Her characterization was one of the highlights in Broken Quill, one of its goddamn strengths, and her fleeting appearances here are notable. Two, in some of the battle scenes, Declan came off too all-powerful. Not to say that Declan’s weaknesses didn’t shine through with brilliance. This isn’t titled Knight Fall for nothing.

Knight Fall is a great installment to an already fantastic series. Ducie has carved a name for himself as a talented writer able to seamlessly blend the mythic with the urban, the ordinary with extraordinary and the mundane with the marvellous. I hope he keeps writing, the longer works the better.

Book Review: Broken Quill by Joe Ducie

“Broken Quill” is longer and more epic than its predecessor. There’s a car chase. In Perth, Austrailia, a series of atrocities circles around Declan Hale, the Immortal King and Shadowless Arbiter. Declan is being stalked by an unfathomable and seeming unbeatable foe while across True Earth, the Knights Infernal retreat to Ascension City, leaving the world unprotected. After a harrowing battle with Emissary, the one responsible for brutal murders around Perth, Declan leaves Earth to have his questions answered. Sophie and Ethan return from “Distant Star” and Detective Annie Brie joins him on his journey across the literary worlds. From here onwards, it’s epic madness, majestic landscapes, and devastating battles.

Two books in and if there ever was a more apt theme to assign to this series it would be that while our regrets may be inescapable, still we soldier on, and mayhaps find redemption along the road. Declan’s guilt seems to weigh heavily on him, so much so that his finest ability is his invulnerable liver. But the true arc of our protagonist is his emotional and mental shift from reactive guilt to walking on the perpetual road to redemption.

As usual, Ducie illustrates otherworldly landscapes with a masterful hand. He lends his descriptive powers to a slew of colourful worlds, strange characters, and vividly depicted scenes. We glimpse a little of Hale’s past in “Broken Quill”, from his time as a commander during the Tome Wars. The scene reminded me a little of Star Trek, maybe Firefly. These flashback scenes are a treat to watch and spliced within the present narrative gives a juxtaposing weight to the story, compelling readers to compare Declan’s situation now with the glory of his past. It accentuates his regrets and guilt and gives us a deeper insight to his nature.

Ducie teases us with Annie Brie’s character. She’s an anomaly, an enigma. She shares Ethan’s role in serving as the reader stand-in for exposition and questions, but she is more significant than that, but in what ways we don’t know. As a character, Annie is well-crafted. She is sweet and bold, brave and daring. She is an excellent companion for Declan, the Amy Pond to his waistcoat-wearing Doctor. They have chemistry and balance. Her innocence and wonder are foils to Declan’s deepened cynicism and experience. Whether their relationship remains platonic is up in the air. Ducie gives evidence for either direction.

Whether intended by the author or not, I think on a deeper level, The Reminiscent Exile serves as a poignant metaphor for the metafictional, self-reflexive, and intertextual nature of pop culture in general, and popular literature in particular. Like the breadth of popular culture, “Distant Star”, and more so “Broken Quill”, permits a host of self-referencing remarks for the reader to catch and literary allusions to its intertextual predecessors. The notion that Declan and his friends can pull out aspects from books is a clever reference to real-life authors borrowing genre conventions and concepts from other authors. But dig deeper and it gets more complex. The characters take their own reality and shine a light on it, forcing us readers to question our presumptions about Declan’s multiverse and the essence of reality. Take, for example, a conversation Annie Brie has with the protagonist. She remarks that this “feels as if we’re in a storybook ourselves.” This metafic snippet made me a little giddy inside. I had a déjà vu moment, reminding me of the time Roland Deschain and the ka-tet learnt they were characters in a Stephen King series. I almost expected Ducie’s characters to learn they were written in a blaze of scotch- fuelled madness.

The conflict and drama in “Broken Quill” open up the mythology and universe to the reader. Threads started in “Distant Star” ascend to the fore in this second novel and set the way for future stories and future battles. In hindsight, “Distant Star” feels like an extended prologue placing characters into position and setting the field for battle. “Broken Quill”, therefore, is the opening salvo of an inevitable war that has been long in the making.