Book Review: Knight Fall by Joe Ducie

In the third instalment of Joe Ducie’s Reminiscent Exile series, readers find a high current of fast-paced action, clever dialogue and fantastic world (multiverse) building. Knight Fall stands on its own as an entertaining, but all too quick, read and a fine continuation of the overall series.

The narrative uses various in-story tropes to weave together the past and present, from visions and flashbacks to magical means. The significance of the past, and history as a whole, works as a prominent motif in the story, massively influencing the plot. This novel is full of surprises and beautifully constructed scenes. The trick, and challenge, is to read it slowly, to pace yourself, because the urge to finish it in one setting is all-too-compelling.

Declan Hale, our brooding protagonist, returns in all his one-eyed splendour. His actions throughout the novel demonstrate how utterly formidable he is, why people are right to fear him, and the devastating consequences that hinge on his every action. Despite displaying more raw, brute force in the scenes in Voraskel than in the previous two novels, most of the confrontations work like puzzle pieces, solved by a clever dose of wit and ingenuity rather than hammering away with Will. I think this is the best approach that Ducie could have taken with his fight scenes. An epic battle between two colossal forces, while memorable and fantastic, can only be done so many times; and should probably only be reserved for the most significant moments.

Emily Grace, the immortal queen, returns in this novel, not so much a villain but as a companion to our protagonist. Emily is still ruthless and cold and calculating, but there’s a certain charm to her every action, of quality of character that can only described as “graceful.” I quite liked Emily Grace as a villain, or at least as an antihero. It was amusing to find that she had such chemistry with Declan despite the fact that she was the queen of the faction that the hero fought and killed and shed blood to defeat. Her scenes with Declan in the first two books showed promise of being a great recurring villain with the kind of cunning, manipulative force that trumps brute strength.

In a previous review, I said that the Reminiscence Exile is, at its heart, a romance story. With Knight Fall, that assessment remains unchanged. Declan will always carry the women he loved with him, as intangible as the merry band of literary ghosts in his bookstore. His reminiscences, his longing, his nostalgia are all a significant aspect of his makeup, as real as the idea of love lost, of pain endured, sacrifices rendered, and guilt everlasting.

Speaking of the Everlasting, we find out more about them than ever have before. We learn a childhood song sung in fear of them, we learn how many there are and what their qualities entail. Ducie creates these cosmic entities, great and powerful gods and goddesses, and he pits our single, lonely, drunken hero against them. At least it promises to be an amusing ride.
There are a couple things that I didn’t like about Knight Fall. One, there was not enough Annie Brie. Her characterization was one of the highlights in Broken Quill, one of its goddamn strengths, and her fleeting appearances here are notable. Two, in some of the battle scenes, Declan came off too all-powerful. Not to say that Declan’s weaknesses didn’t shine through with brilliance. This isn’t titled Knight Fall for nothing.

Knight Fall is a great installment to an already fantastic series. Ducie has carved a name for himself as a talented writer able to seamlessly blend the mythic with the urban, the ordinary with extraordinary and the mundane with the marvellous. I hope he keeps writing, the longer works the better.

Book Review: Foundation and Empire by Isaac Asimov

The second installment in Asimov’s classic trilogy is Foundation and Empire. The people of the Foundation face their greatest threat yet as Bel Riose, charismatic and brilliant general of the Empire wages a bloody war of conquest. At this time the Foundation’s influence has strengthened in the Periphery while the Empire wanes and decays. Rumors of the Foundation’s ‘magicians’ spread throughout the remnants of the old Empire. General Riose is thirsty for battle and glory. Knowing his prospects for conquest are poor throughout the galaxy, he turns his eyes towards the rumors of the Foundation and seeks to spark a war that will turn him into a legend.
Asimov takes the first half of the novel to build the atmosphere of assurance and invincibility that underlies the people of the Foundation. Hari Seldon’s psychohistoric predictions have gained religious faith and dogmatic certainty. Nothing, they believe, can threaten them now. But as Riose marches from victory to victory, the confidence is slowly chipped away. Individual actions lead nowhere. Time is slipping and it seems as though Seldon’s plans might be thwarted. Asimov establishes the nigh-inevitability of Seldon’s predictions, under normal circumstances, when the psychohistoric trends of the past generations turn against Bel Riose in a way that no heroic undertaking by any mere individual could have.

The first half of this book was enjoyable, pact with intellect and suspense and delightful scenes of action. It was a great way for Asimov to open this chapter in the saga of the Foundation, but it pales in comparison to the second act, where Asimov moves out of our comfort zone into less hospitable territory.

The second story is an inversion of everything we have been taught to expect. The antagonist is a mutant called the Mule who exhibits immense and mysterious powers that he uses in his aims to build his own empire. To accomplish such a feat, he wants, of course, the Foundation. Psychohistory predicts the behaviour and patterns of millions and billions of ordinary humans. The theme underpinning the previous Foundation stories concerns the unbeatable course of history and patterns over the actions of any one man. The rise of the Mule, however, who isn’t an ordinary human, derails Seldon’s plan with alarming swiftness.

Isaac Asimov crafts an intriguing novel and breaks patterns with his previous ventures into the Foundation universe. While I was not as enthralled overall by this episode as I was of Foundation, Asimov sets the stage for a turning point in his narrative, one full of potential and uncertainty. The story of the Mule is easily the most captivating of both the two stories in Foundation and Empire and the first novel.

Book Review: Broken Quill by Joe Ducie

“Broken Quill” is longer and more epic than its predecessor. There’s a car chase. In Perth, Austrailia, a series of atrocities circles around Declan Hale, the Immortal King and Shadowless Arbiter. Declan is being stalked by an unfathomable and seeming unbeatable foe while across True Earth, the Knights Infernal retreat to Ascension City, leaving the world unprotected. After a harrowing battle with Emissary, the one responsible for brutal murders around Perth, Declan leaves Earth to have his questions answered. Sophie and Ethan return from “Distant Star” and Detective Annie Brie joins him on his journey across the literary worlds. From here onwards, it’s epic madness, majestic landscapes, and devastating battles.

Two books in and if there ever was a more apt theme to assign to this series it would be that while our regrets may be inescapable, still we soldier on, and mayhaps find redemption along the road. Declan’s guilt seems to weigh heavily on him, so much so that his finest ability is his invulnerable liver. But the true arc of our protagonist is his emotional and mental shift from reactive guilt to walking on the perpetual road to redemption.

As usual, Ducie illustrates otherworldly landscapes with a masterful hand. He lends his descriptive powers to a slew of colourful worlds, strange characters, and vividly depicted scenes. We glimpse a little of Hale’s past in “Broken Quill”, from his time as a commander during the Tome Wars. The scene reminded me a little of Star Trek, maybe Firefly. These flashback scenes are a treat to watch and spliced within the present narrative gives a juxtaposing weight to the story, compelling readers to compare Declan’s situation now with the glory of his past. It accentuates his regrets and guilt and gives us a deeper insight to his nature.

Ducie teases us with Annie Brie’s character. She’s an anomaly, an enigma. She shares Ethan’s role in serving as the reader stand-in for exposition and questions, but she is more significant than that, but in what ways we don’t know. As a character, Annie is well-crafted. She is sweet and bold, brave and daring. She is an excellent companion for Declan, the Amy Pond to his waistcoat-wearing Doctor. They have chemistry and balance. Her innocence and wonder are foils to Declan’s deepened cynicism and experience. Whether their relationship remains platonic is up in the air. Ducie gives evidence for either direction.

Whether intended by the author or not, I think on a deeper level, The Reminiscent Exile serves as a poignant metaphor for the metafictional, self-reflexive, and intertextual nature of pop culture in general, and popular literature in particular. Like the breadth of popular culture, “Distant Star”, and more so “Broken Quill”, permits a host of self-referencing remarks for the reader to catch and literary allusions to its intertextual predecessors. The notion that Declan and his friends can pull out aspects from books is a clever reference to real-life authors borrowing genre conventions and concepts from other authors. But dig deeper and it gets more complex. The characters take their own reality and shine a light on it, forcing us readers to question our presumptions about Declan’s multiverse and the essence of reality. Take, for example, a conversation Annie Brie has with the protagonist. She remarks that this “feels as if we’re in a storybook ourselves.” This metafic snippet made me a little giddy inside. I had a déjà vu moment, reminding me of the time Roland Deschain and the ka-tet learnt they were characters in a Stephen King series. I almost expected Ducie’s characters to learn they were written in a blaze of scotch- fuelled madness.

The conflict and drama in “Broken Quill” open up the mythology and universe to the reader. Threads started in “Distant Star” ascend to the fore in this second novel and set the way for future stories and future battles. In hindsight, “Distant Star” feels like an extended prologue placing characters into position and setting the field for battle. “Broken Quill”, therefore, is the opening salvo of an inevitable war that has been long in the making.

Day 39: The Amory Wars: The Second Stage Turbine Blade by Claudio Sanchez

This graphic novel is actually the second in the series, preceded by a prose novel setting up the events depicted here. But since this was published first, I thought I’d start off here. Sanchez is the frontrunner of the band Coheed and Cambria, the music they play is the work that the comics are based off. The meta concept is really interesting and you might worry that the stories might not live up to the form, but you’d be wrong. The Amory Wars tells the tale of Coheed and Cambria Kilgannon, a married couple from a little peaceful neighbourhood on one of the seventy-eight planets held together by mystical energy called Heaven’s Fence. The couple believe they are just ordinary people until disaster causes them to confront their mysterious origins and take the war to the dictator ruling Heaven’s Fence, Wilhelm Ryan, the Tri-Mage. The story evokes images of Star Wars but the writing is lyrical and fluid. Claudio Sanchez is a great writer, the art is wonderful, and the story Shakespearean.
                        

Day 38: The War of the Worlds by HG Wells

For a Victorian era piece, Wells astonished me by the level of gritty, gruesome realism he portrays ravishing England in this powerful novella about extra-terrestrial invaders from Mars. You might have seen the Tom Cruise version set in modern times or you might even have some knowledge of the radio play. But this original is just as good, as vivid, and haunting in its approach of classical weaponry against a monstrous foe they can’t even conceive of. Wells is a fantastic speculative writer with a vivid mind.

       

Day 34: Distant Star by Joe Ducie

Ducie’s work is a cocktail mix of the best elements of fantasy, both classic and contemporary. A debut author, Joe Ducie, concocts his merry story like a bartender would mix me my tequila and pineapple juice: fast, sweet, sexy, and strong. Both the descriptive factors and the characters taste familiarly of the Dark Tower and the Dresden Files. This is a tale of love lost, redemption unfound, the schemes men make for power, and the remaking and unmaking of worlds. It’s a descent into madness and chaos, and it’s a helluva ride.

Book Review: Foundation by Isaac Asimov

It is astonishing to realize that science fiction consisted of a relative humble portion of Isaac Asimov’s ouevre. While most of his time was spent on nonfiction work, his contributions to science fiction proved so monumental that there is not a single science-fiction writer today who has not been influenced, in some way, by Asimov’s writing. His intellectual and engaging fiction has produced some of the finest short stories and novels in the genre, in classics such as “The Last Question” and “Nightfall”. But his seminal work is the top-of-the-pyramid, groundbreaking, and famous “Foundation Trilogy”. He is to SF what Tolkien is for Fantasy.

“Foundation” is an entertaining piece of sociopolitical SF in the backdrop of a space opera. This book is the foundation of SF for the past six decades. Asimov’s prose is clear and concise, without any room for ambiguity or vain style. Asimov’s words, though pared down and stripped of subtext, are not any less true or beautiful or witty.

Set thousands of years in the future, after humanity has colonized millions of planets in our galaxy, “Foundation” introduces the Galactic Empire is in its waning years. One man on the capital planet of Trantor, Hari Seldon, predicts the cataclysmic and chaotic decline and fall of the Empire. Seldon has developed the science of psychohistory, which aims to calculate the behaviour of mass populations over the course of events using, among other things, socioeconomic trends. Seldon has predetermined not only the demise of the Empire, but that thirty millennia of barbarism will follow, unless his organization, the Foundation, is able to finish its gargantuan mission of cataloguing and preserving all accumulated human knowledge and history. The act would serve to lessen an inevitable thirty-thousand years to a mere thousand.

Asimov portrays the epic grandeur of the galaxy through the unyielding arc of time and history. Individual lives are ineffectual, though not inconsequential, in the grand scheme of things.  Throughout the stories, there is a pervading sense of ‘greater good’ or ‘the bigger picture’. There is only one recurring character in each of the five tales: the Foundation. It stands in the background, an entity both mysterious and arresting; a godlike presence that shaped religion and ruled a city. The story of the Foundation is portrayed through the periodic snippets of human life throughout the growth of the First Foundation from an indefensible, dependent, colony in the backwaters of the outskirts of a great empire to a massive political juggernaut with commercial and technological prowess. The central characters: Hari Seldon, Gaal Dornick, Salvor Hardin, Linmar Ponyets, and Hober Mallow are seen in flashes as their importance and contribution to the longevity of the Foundation is waxes and wanes.Asimov has an arresting flair for conjuring up a methodical, articulate, and complex history. In the battle for free will over determinism, Asimov’s “Foundation” falls securely into the side of the determinists. Psychology and economic trends and the insurmountable turn of time dominate the short stories with a sense of inevitability. But it the tone of the story is far from pessimistic. There is only ever the slightest indication that they should lose hope, or that individual lives are meaningless. As one character says, “Seldon’s laws help those who help themselves.” Asimov appears to advocate forging a better future through the sole and collective action of the present.Unquestionably, “Foundation” is an intellectual treat that tends to emphasis the background scenes as opposed to the ones that illustrate more action. Most of the book is exposition and dialogues between characters in a meeting over smokes. The third story, The Mayors, provides the most exciting, and arguably cleverest, climactic confrontation in the book. It is a scene between Mayor Hardin and Prince Regent Wienis. Hardin, in a stroke of brilliance, has manipulated events to stave off a rival political party’s attempt to impeach him and end the threat posed by the Four Kingdoms.“Foundation” is a significant to the genre in more ways than the ideas it challenged us with. It is the culmination of science fiction into a literature encompassing reason and ideas. It reinvigorated the genre and turned it into a platform of higher ideals and concepts. “Foundation” steered it away from the pulp swamp creatures. It did for science fiction what “Spiderman” (2002) did for superhero movies, or in particular, what Christopher Nolan’s “Batman Begins” (2005) reboot did for the franchise. Asimov gives us excellent characters, complex sociopolitics, and a good story that never wanes.

Day 8: Neuromancer by William Gibson

Gibson’s debut novel is a revolutionary work that epitomizes futuristic science fiction. His vision of the future is more vivid, gritty, and realized than cinematic Star Wars. “Neuromancer” is the winner of the Hugo, Nebula, and Philip K. Dick Awards. It absolutely permeated the collective consciousness of western culture in such a seamless manner that we don’t even know the origins were from here. Interesting side note, a porn star in the 90s, created a porn parody of “Neuromancer.” Just saying…