Book Review: The Rules of Attraction by Bret Easton Ellis

Ellis displays his engaging and captivating stream of consciousness writing. He speaks through the thoughts of varied characters in a college where self-absorbed, bohemian students find themselves in more parties than classrooms, and sex and drugs run rampant. “The Rules of Attraction” offers a dark and satirical take on the upper-middle-class college student culture. Set in the fictional college town of Camden, New Hampshire, the novel is narrated in first-person by the sexually students, in particular, revolving around three: Paul, Sean, and Lauren. The novel begins and ends in mid-sentence, giving the impression that there is really no beginning and end to the story. The reader was just there for the ride, passing like a tourist through Camden and glancing sideways into their lives.

“The Rules of Attraction” is fundamentally a story that studies the rules of attraction that exist between affluent students in a college town. Plot is unnecessary. The traditional aspects of stories are accessories. The important stuff is in the questions that are asked: Who will you hook up with tonight? What are you going to wear at the party? How do you get laid here? Who do we need to see to get drugs? Through satire and dark comedy, Ellis portrays the corruption of youth and the discrepancy between reality and fiction. This exaggerated and distorted manner in showcasing campus life hones the reader’s awareness to these particular realities.

The portrait of campus life for these students is heavily aided by the shifting first-person which illustrates the varying priorities that are juggled throughout the year and paints events from multiple angles. The reader’s interpretation is an essential part of understanding the story. Paul’s narratives focus on his sexual encounters with Sean, while Sean leaves them out entirely in his, leaving the actuality of their occurrence ambiguous. These uncertain passages give weight to the novel and force the readers to perceive the development of the characters.

Bret Easton Ellis does a fantastic job in displaying a segment of society that perhaps many readers are not a part of, if they even knew existed. He creates characters that are selfish, nihilistic, world-weary, experimental, callous, and narcissistic. He does it without batting an eye. They are interesting to watch and study, but I don’t think I’d invite them over for dinner.